Supposedly Progressive Hollywood’s Not So Progressive Portrayal of Abortion

Salon.com: Why is Hollywood still terrified of abortion?, by Mary Elizabeth Williams:

Forty years after Roe, abortion's so traumatic in films that it leads to suicide -- and teens deliver half-vampires

Of course Bella would keep Edward’s baby. Dammit, she loves her sparkly vampire husband. She doesn’t care about the concerns of her family and friends, their pleas that she consider the risks of carrying a hellspawn to term. Like Julia Roberts’ saintly, ill-fated Shelby in “Steel Magnolias,” who pursues a pregnancy because she “would rather have 30 minutes of wonderful than a lifetime of nothing special” (and subsequently dies for it), Bella knows it’s her body, her choice. And a “Twilight” franchise dreamed up by a nice Mormon lady isn’t going to include a scene of newlywed, saved-herself-for-the-wedding night Bella trotting down to Planned Parenthood for a quickie D&C. No, her devotion to life is so great that it extends to life that isn’t even quite human.

Authentic to its characters as it may be, the gruesomely traditional blockbuster “Breaking Dawn” illustrates an unavoidable reality of contemporary cinema — that whether you’re in the mysterious realm of vampires or the corridors of power, normal, untraumatic abortion barely exists. . . .