Saturday, November 30, 2019


#NoMusicForICE is a campaign by musicians to remove their music from Amazon in protest of the tech company's "providing digital infrastructure that powers Immigration and Customs Enforcement," in furtherance of ICE's "human rights abuses."

Check out this piece from Newsweek and this post on Medium for more on the movement.

Screen Shot 2019-11-30 at 7.46.22 PM


November 30, 2019 in Current Affairs, Music | Permalink | Comments (0)

Friday, November 29, 2019

Your Playlist: James Brown

How have I never played this classic before? James Brown's Living in America. I'm thinking this might pair well with 42B Cancellation.


November 29, 2019 in Music | Permalink | Comments (0)

Saturday, November 23, 2019

Your Playlist: The Beatles

Immprof Sarah Sherman-Stokes recently played The Beatles' Here Comes the Sun before her class on DACA. After all, John Lennon's fight for deferred action may well have paved the way for DACA itself.

Besides, in these so-often-dark days, we should all be on the lookout for a little sunshine.


November 23, 2019 in Music | Permalink | Comments (0)

Monday, November 11, 2019

Your Playlist: Christina Aguilera

I'm wrapping up asylum today in my podium immigration course. I'm going to share the Jeff Sessions quote about dirty immigration lawyers and play the Trump quote about asylum being a big fat con job. What's the perfect song to pair with this topic? Christina Aguilera's Dirrty, of course.


November 11, 2019 in Music | Permalink | Comments (0)

Friday, November 1, 2019

Your Playlist: Daniela Andrade

For your Friday night listening pleasure: Daniela Andrade's Gallo Pinto. Here's one verse:

This one’s for my mami, this one’s for my dad
Gave up everything to give me
What they couldn’t have
This one’s for dreamers
Working through their past
You are not defined by all the things that you don't have


November 1, 2019 in Music | Permalink | Comments (0)

Friday, October 25, 2019

A Sign of the Times?: Rock Icon Neil Young to Become an American Citizen, Voice Political Opinions



Randy Lewis for the Los Angeles Times reports that rock music icon Neil Young will become a U.S. citizen.  A long time resident of the United States, Young is well-known for the political angle to his music.  As Lewis reports, 

“`I’ve passed all the tests; I’ve got my appointment, and if everything goes as planned, I’ll be taking the oath of citizenship' shortly after turning 74 on Nov. 12. The salient point being, `I’ll be able to vote,' said Young, who has lived roughly two-thirds of his life in the U.S. since arriving in Los Angeles in the mid-’60s and first making his mark on the rock ’n’ roll landscape with Buffalo Springfield.

`I’m still a Canadian; there’s nothing that can take that away from me,' he said. . . . `But I live down here; I pay taxes down here; my beautiful family is all down here — they’re all Americans, so I want to register my opinion' about this country."

Young's decision to become a citizen may be part of a more general trend among immigrants who want to participate politically through the ballot box.  As Matt Pearce reported earlier this week, "Over the last two decades, naturalized immigrants have grown into a force at the ballot box, with the United States recently swearing in more than 700,000 foreign-born U.S. citizens each year. . . . Naturalized citizens . . . cast more than 8% of the ballots in the 2018 midterm elections, almost double their share in the 1996 presidential contest, according to U.S. Census Bureau estimates."


October 25, 2019 in Current Affairs, Music | Permalink | Comments (0)

Friday, October 11, 2019

Singer/songwriter Lila Downs Protests Child Detention


Mexican singer-songwriter Lila Downs appeared at UC Davis last night.  Earlier this year, she released a over of Manu Chao’s “Clandestino” with her own unique twist. She played the song last night. 

The original song speaks to undocumented communities living in hiding. Downs’ rendition is a lively cumbia take on the original, with a focus on current issues at the U.S.-Mexico border as she sings, “If we don’t fight for the children, what will become of us?”

“I mention the immigrant children in the detention centers and sing from the feminine perspective, about the thousands of women and children who migrate today,” she said in an interview with Rolling Stone.


October 11, 2019 in Current Affairs, Music | Permalink | Comments (0)

Tuesday, October 1, 2019

'I Feel Afraid for My Country.' Selena Gomez on America's Immigration Crisis


Check this out in Time! 

'I Feel Afraid for My Country.' Selena Gomez on America's Immigration Crisis

As Gomez puts it, "I’m concerned about the way people are being treated in my country. As a Mexican-American woman I feel a responsibility to use my platform to be a voice for people who are too afraid to speak."


October 1, 2019 in Current Affairs, Music | Permalink | Comments (0)

Wednesday, September 11, 2019

Your Playlist: Brandy Clark

I've been searching for the right song to pair with diversity visas for a long time. I can't say I'm done with that search, but here's the song I landed on for this year -- Brandy Clark's Pray to Jesus.

It's a pretty song and the chorus is nicely on point:

So we pray to Jesus and we play the lotto
Cause there ain't but two ways
We can change tomorrow
And there ain't no genie
And there ain't no bottle
So we pray to Jesus and we play the lotto


September 11, 2019 in Music | Permalink | Comments (0)

Monday, September 9, 2019

Your Playlist: Sarah Kay

If you're teaching Korematsu, consider starting with Sarah Kay's 14th Amendment.

It's more spoken word than song, but it's a powerful introduction to the topic of internment.

And for any immprofs out there who also dabble in Con Law -- check out the entire album: 27, featuring songs about every amendment to the U.S. Constitution.


September 9, 2019 in Music, Teaching Resources | Permalink | Comments (0)

Sunday, September 8, 2019

A Tenure Love Letter to Jayesh Rathod


On Friday, I submitted my application for tenure. My word, that was a process. Having taught at two different institutions for over 10 years, it felt a bit like filing backdated taxes in multiple jurisdictions, one of them overseas.

One of my tenure requirements involved writing a statement about my teaching. It was an opportunity to talk about my teaching philosophy and different teaching techniques that I employ.

Readers know that I love to play music in class. But I'm not sure I ever told you who inspired me to to that: immprof Jayesh Rathod (American U.).

Here's what I told my tenure reviewers, in the context of experimenting in the classroom: 

When I started teaching, I would occasionally play a song during class. My first course was Immigration Law, and when we discussed terrorism exclusions, I played M.I.A.’s Paper Planes. M.I.A. has a unique immigrant history: She was born in London, moved as an infant to Sri Lanka where her father was a founder of the separatist militant organization called the Tamil Tigers, spent much of her childhood in hiding (avoiding the Sri Lankan army), and eventually returned to London as a child refugee. Her song, Paper Planes, is about her experience with being denied a visa to perform in the United States “due to her politically charged lyrics.” The song is, in her words, about “appearing really threatening to society. But not being so. Because, by the time you’ve finished working a 20-hour shift, you’re so tired you [just] want to get home to the family. I don’t think immigrants are that threatening to society at all. They’re just happy they’ve survived some war somewhere.”

In 2010, I attended a conference for immigration law teachers where I met Jayesh Rathod of American University Washington College of Law. He presented on the idea of playing music before every class. He discussed a two-fold benefit: (1) the opportunity to connect coursework to musical themes in an effort to advance learning, and (2) the opportunity to connect with students through music. Jayesh discussed empirical studies about the benefits of music. Ever since that conference, I play music during the minutes before class starts—when students are turning on their laptops and getting seated. I choose music that connects to our course material and create an on-line playlist for the semester. For example, in Civil Procedure I, when I cover what is needed in a complaint to satisfy the Supreme Court decisions of Twombly and Iqbal, I play “Summer Nights” from the movie Grease. The Supreme Court’s decisions center the idea that plaintiffs cannot begin a lawsuit by stating mere legal conclusions, they must present more: factual allegations that support inferences of misconduct. Thus, the refrain of Summer Nights is particularly apt: “Tell me more, tell me more.”

Students have responded favorably to the music over the years. Students love to think up songs on their own and come to me with their recommendations. I even receive occasional e-mails from former students letting me know about a new song they heard on the radio and how I might incorporate it into class.

So here is my big, fat, public thank you to Jayesh! I am extremely grateful for that 2010 immprof conference in Chicago. Your presentation inspired me -- as did the CD you shared after the conference. I'll be playing The Perfect Nanny by Louis Prima and Gia Maione tomorrow before we discuss Matter of Marion Graham. Still the best song choice!


September 8, 2019 in Music, Teaching Resources | Permalink | Comments (0)

Monday, April 15, 2019

Cellist Yo-Yo Ma Plays Bach In Shadow Of Laredo Border Crossing


Here is some uplifting news from the US/Mexico border.  

World-renowned cellist Yo-Yo Ma brought his Bach Project to the sister cities of Laredo, Texas, and Nuevo Laredo, Mexico, on Saturday. Laredo’s “Day of Action” featured performances in both cities to celebrate the relationship between the two communities. Ma played the opening notes of J.S. Bach's "Suite No. 1 for Unaccompanied Cello" in a park near the Juarez-Lincoln International Bridge, one of the crossings that connect the U.S. and Mexican cities.

"As you all know, as you did and do and will do, in culture, we build bridges, not walls," Ma said. After his performance, he gestured to the bridge. "I’ve lived my life at the borders. Between cultures. Between disciplines. Between musics. Between generations."


April 15, 2019 in Current Affairs, Music | Permalink | Comments (1)

Friday, April 12, 2019

Your Playlist: Sanctuary City Choices

I found myself browsing YouTube for a good song to pair with discussion of sanctuary cities. Lo and behold, I found two unusual choices.

First, check out Johnny Guitar's I Wanna Live In A Sanctuary City.

That's the one I've settled on to play. Sure, the sound quality could be better. But the lyrics are charming. How can you not like a line like this: "Donald Trump continues his pedantic rants, he's gonna take away the city's million dollar grants."

The quality of this second video is much better. You would expect that as it's from the Theater for the New City Street Theater Company.

It's a solid choice and I just might play it in the future. But there's an odd rant about the EPA and climate change in the middle. It doesn't stay quite as on point as Johnny Guitar.


April 12, 2019 in Music | Permalink | Comments (0)

Wednesday, March 27, 2019

Music Video: For My Immigrants


World Premiere:
For My Immigrants Music Video

Newest Americans announces the release of the song and music video For My Immigrants, a rousing anthem for Dreamers who believe they “can move any mountain/any wall can be broken.” Our heritage as a nation of immigrants is under attack. Alexis Torres Machado and a team of Dreamers and their advocates are fighting back.

Watch The Music Video




The Story Behind The Song

Alexis Torres Machado was five when his parents brought him to the U.S. from Uruguay. He’s one of the hundreds of thousands of young people who discovered they were undocumented at some point during childhood. As a junior at Rutgers University-Newark, Alexis wrote For My Immigrants on the heels of Donald Trump’s election. What he saw in the news didn’t reflect the people he knew or the experience he had lived, so he channeled his anger into verse. 
“I was tired of all the false claims about immigrants,” he says. “I wanted my people to know ‘You’re not alone. Your voice is heard.’”
Newest Americans brought in our friends Guillermo Brown (Pegasus Warning and the drummer for The Late Late Show with James Corden) and Wynne Bennett (composer and keyboardist for Twin Shadow) to create an original score. Then we enlisted Adam Abada to direct the music video, and rallied some more friends and family—all immigrants, many DACA activists—to be in the video.
Alexis, and all of the collaborators on the song and video, hope that For My Immigrants will empower Dreamers, while encouraging the rest of us to stand with them.


March 27, 2019 in Current Affairs, Music | Permalink | Comments (0)

Thursday, March 21, 2019

Your Playlist: Sir Mix-a-Lot

I tend to start the semester with a heady tune like Land of the Free (the Killers) or Borders (M.I.A.). I'm starting to rethink that approach. Let's be honest, the best thing to be done on day one is to welcome the students to the class and get them psyched for the semester to come. No one could possibly do a better job with that mandate than the venerable Sir Mix-a-Lot with his version of Jump On It.


March 21, 2019 in Music | Permalink | Comments (0)

Thursday, February 28, 2019

21 Savage: A "martyr of conscience"?


ImmigrationProf previously blogged about 21 Savage's immigration problems. An article by Jon Caramanica in the New York Times sheds light on the possible reason for the arrest and detention.

A week before the Grammy Awards, 21 Savage was arrested in Atlanta and placed in removal proceedings by Immigration and Customs Enforcement, which said he was an “unlawfully present United Kingdom national” and charged him with overstaying his visa. He was released a week later on $100,000 bond. 21 Savage — birth name She’yaa bin Abraham-Joseph — was born in London.

Dina LaPolt, 21 Savage's general counsel, and Charles Kuck, his immigration attorney — suggest that political motivations may have been at play:

"Three days before 21 Savage’s arrest on Feb. 3, LaPolt was already putting an action plan in motion. `We had heard that they were looking at him,' she said. 

In late January, 21 Savage performed a new version of his single `A Lot' on `The Tonight Show Starring Jimmy Fallon,' with lyrics that touched on the issue of children being separated from their parents at the United States border, a controversial Trump administration tactic to discourage illegal immigration.

`There was scuttlebutt after the Jimmy Fallon show' coming from `some very high levels in Washington,' LaPolt added. What she heard suggested that 21 Savage had ruffled feathers."


February 28, 2019 in Current Affairs, Film & Television, Music | Permalink | Comments (0)

Wednesday, February 20, 2019

Your Playlist: Randy Rainbow

Oh wow. Randy Rainbow covering Madonna's Borderline with a new spin: Border Lies. Fabulous.

Thank you, immprof Ediberto Román for bringing this excellent tune to our attention! 


February 20, 2019 in Music | Permalink | Comments (0)

Friday, February 8, 2019

Your Playlist: Malinda Kathleen Reese

This is Malinda Kathleen Reese's second appearance on the immprof blog. She must be honored beyond compare. Malinda is the person behind the fabulous fun of "Google Translate Sings" on youtube where she creates videos that use Google Translate to distort the lyrics and stories of well-known songs.

For years, I've been using her google translate of "Let It Go" as an introduction to teaching court translation. No more! I will be using her rendition of Hamilton from now on.

Big ups to immprof Liz Keyes for bringing this amazingness to my attention.

And, of course, if you're looking for substance to backup the musical fun, check out some of our past posts about court translation: here and here to start.


February 8, 2019 in Music | Permalink | Comments (0)

Wednesday, February 6, 2019

Your Playlist: The Killers

Check out this new music video from the Killers, directed by Spike Lee. It's for their new song "Land of the Free."

I may play this in class tomorrow. We'll be talking about immigrant detention and I like the lines: "And we got more people locked up than the rest of the world / Right here in red, white and blue (I'm standing, crying) / Incarceration's become big business / It's harvest time out on the avenue."

The Killers' frontman, Brandon Flowers, told one interviewer that the song comes from a place of “enough is enough." “I would start the song, and then I would put it away and say, ‘I’m not the guy to do this’… and then it just piled up... It was just like, ‘I have to get this out.’”

Thank you, Dina Haynes, for the music tip!


February 6, 2019 in Music | Permalink | Comments (0)

Sunday, February 3, 2019

"U.S." Rapper Facing Removal

21 Savage, photo by Ralph Arvesen

An Atlanta-based rapper known as 21 Savage has been apprehended by Immigration and Customs Enforcement. A government spokesperson has said that 21 Savage is a citizen of the U.K. who came to the U.S. at the age of 12 and overstayed his visa.

He is a Grammy-nominated artist, appearing on Post Malone's Rockstar, which was up for Record of the Year and Best Rap Performance.

21 Savage isn't just deportable for being out of status. He's got a 2014 drug conviction. And he'll be in removal proceedings in the notoriously tough courts of Atlanta.   

Many outlets are covering this story including CNN, BBC, and the Atlanta Journal Constitution.


February 3, 2019 in Current Affairs, Music | Permalink | Comments (0)