Wednesday, August 17, 2016
The Atlantic (August 3, 2016): It's Time to Make 'Women's Work' Everyone's Work, by The Atlantic
In such a simple yet powerful video interview, Anne Marie-Slaughter contends that the women's movement is missing an "emphasis on caregiving policies." Slaughter asks why we have failed to recognize that traditional women's work is just as important as traditional men's work. She argues that cultivating the idea that breadwinning and caregiving are equally as important in a successful household is key in achieving true equality.
Thursday, July 28, 2016
Huffington Post (Jul. 18, 2016): A Play about Abortion Care Shows How "Remarkably Normal" It Is, by Katherine Brooks:
A new documentary play, "Remarkably Normal," shares the stories of real women gleaned from in-depth interviews to emphasize the statistic that one in three American women will have an abortion in their lifetime but that, shockingly, access to medically safe abortion care remains in doubt. The play "aim[s] to express the emotions and humanity of a common experience that political discussions underplay" and for which we, no matter our political stripe, allow little room for honest conversation.
Playwrights Marie Sproul and Jessi Blue Gormezano believe that theater can inspire social change by opening audiences' hearts and minds. They envision "Remarkably Normal" as a game changer--a play by women about women--in an industry dominated by men.
Not only is "Remarkably Normal" a documentary play. It is also an interview play, "a play in which the playwright interviews people on a particular subject and then uses that material to create the play and the characters in it. The audience experiences the play as the interviewer, hearing the responses of the people to whom the questions were asked." The effect is a riveting portrait of women reliving an experience few can understand without experiencing it themselves. Nonetheless, whether one has lived these experiences or not, "Remarkably Normal" makes them impossible to dismiss and in the process deeply humanizes the women telling their stories.
Friday, July 1, 2016
New York Times (June 13, 2016): China's Call to Young Men: Your Nation Needs Your Sperm, by Javier C. Hernández:
Styling it as an important contribution to society, the Chinese government is doing all it can to encourage young men to donate sperm. The country faces severe shortages, and about half of the current volunteers are screened out.
The enticements to donate run the gamut, including coveted iPhones and cash along with messages of patriotism and exhortations to help China deal with its aging population. Culturally, though, donating sperm and using donated sperm are hard to sell. Men in China associate semen with vitality and are reluctant to give any away. Couples struggling with fertility are many times uncomfortable using an unrelated man's sperm to conceive.
Sunday, February 7, 2016
New York Times (Feb. 5, 2016): Female Genital Cutting: Not Just "an African Problem," by Pam Belluck and Joe Cochrane:
New documentation shows that female genital cutting is widespread in Indonesia, one of the most populous countries in Asia and the world's most populous Muslim-majority nation. It is estimated that 60 million women and girls have been cut, using a technique that is less invasive than is common in Africa. Current regulations require the cutting to be performed by a medical professional who may do no more than scratch the clitoral hood without injuring the clitoris. Most cutting is performed on infants. Unicef has been working in Indonesia to end the practice.
The practice of female genital cutting persists, despite reductions in its incidence worldwide. The reductions are not keeping up with population growth with the result that the number of girls and woman being cut is expected to rise over the next 15 years. Cultural beliefs about the practice vary, including that without it women cannot truly be women and cannot marry.
Tuesday, January 19, 2016
New York Times (Jan. 17, 2016): On Paper, Italy Allows Abortions, but Few Doctors Will Perform Them, by Gaia Pianigiani:
Thirty years ago, the long fight for abortion rights resulted in a law permits abortion with ninety days of pregnancy and later for women in mental or physical danger or in cases of serious fetal pathologies. But nearly three-quarters of the country's gynecologists--more in some regions--are conscientious objectors to the law, reflecting the influence of the Roman Catholic Church in the delivery of medical care. Many non-objecting physicians, who tend to be part of the older generation of practitioners, are approaching retirement age. Non-invasive abortions are completely unavailable in some regions, despite a national directive that has been in place since 2009. The European Committee of Social Rights has deemed the lack of access to abortion in certain regions detrimental to the health of women.
Thursday, April 30, 2015
TIME - Ideas: We Need to Talk—Really Talk—About Abortion, by Cecile Richards:
America has an urgent need for authentic public dialogue about abortion
When Jemima Kirke, an artist and star of HBO’s Girls, recently talked openly about her personal experience with abortion, media took notice. Her story made it plain that, too often, women’s access to abortion and other reproductive health care is seriously limited due to their economic circumstances and because of the part of the country where they live. Jemima’s story was also a reminder that the ability to decide when or whether to have children is key to women’s opportunity to be financially secure and pursue their dreams. In recent years, spurred on by the reproductive justice movement, young people are refusing to be shamed or silenced about their personal decisions around abortion. . . .
Tuesday, March 17, 2015
The Washington Post: Elton John is boycotting Dolce and Gabbana for calling children conceived with IVF ‘synthetic’, by Soraya Nadia McDonald:
This year, Italian designers Domenico Dolce and Stefano Gabbana unveiled a celebration of motherhood at Milan Fashion Week, sending models down the catwalk who were visibly pregnant or carrying little chubby-cheeked bundles of joy. . . .
Recent statements Dolce and Gabbana made to Panorama, an Italian magazine, have cast their fall-winter 2016 collection, which they named “Viva la mamma,” in an entirely new light.
In the interview, translated by the Telegraph, the couple stated: “We oppose gay adoptions. The only family is the traditional one. … No chemical offsprings and rented uterus: Life has a natural flow, there are things that should not be changed.”
“You are born to a mother and a father — or at least that’s how it should be,” Dolce said. “I call children of chemistry, synthetic children. Rented uterus, semen chosen from a catalog.” . . .
Tuesday, February 24, 2015
The Washington Post: TV gets smart — and sensitive — about abortion, by Alyssa Rosenberg:
For all Lena Dunham’s indie comedy “Girls” has been lauded for its bravery, back in 2012 during its first season, the show took what felt like an early punt. On her way to have an abortion, Jessa (Jemima Kirke) had one of pop culture’s infamous spontaneous miscarriages, saving her — and the show — from making a decision that Hollywood still treats as controversial. Last night, the show finally circled back around to the subject, when Adam’s (Adam Driver) new girlfriend, Mimi-Rose (Gillian Jacobs), revealed that she’d had an abortion without consulting him. . . .
Jezebel: While You Watched the Oscars, Girls Did a Super Chill Abortion Episode, by Anna Merlan:
Here it is, because we have to talk about it: a character on Girls had an abortion, and it was very chill. Adam's new girlfriend Mimi-Rose politely declined his request to go for a jog, telling him, "I can't go for a run because I had an abortion yesterday." The scene that followed was both laudable in its matter-of-fact depiction of abortion and bizarre in just about every other way. Does no one on this show ever think about money? Ever? . . .
Yahoo Health: What Makes The Portrayal Of Abortion On 'GIRLS' Different Than The Rest, by Jennifer Gerson Uffalussy:
Last night, the most shocking thing on the Lena Dunham-helmed HBO show GIRLS wasn’t a graphic sex act (as has become the series’ calling card). It was the straightforward and non-sensationalized way in which one of the show’s characters discussed her decision to have an abortion. . . .
Sunday, February 22, 2015
The Huffington Post: 'Girls' Finally Went There With An Abortion Storyline, by Laura Duca & Emma Gray:
“I can’t go for a run because I had an abortion yesterday,” announces Adam Sackler’s new girlfriend, Mimi-Rose Howard. With that statement, “Girls” joined the (limited) ranks of TV shows that a) have a character follow through with an abortion and b) deal with the subject in a way that is both interesting and adds positively to the dialogue about reproductive choice. . . .
Friday, October 24, 2014
Elle: Ending the Silence That Fuels Abortion Stigma, by Cecile Richards:
It’s hard to imagine a medical procedure in this country that carries the stigma and judgment that abortion does. Women’s experiences are often seen through the lens of cultural and political battles. If a woman says that she’s relieved after having an abortion, she may be judged for being heartless or unfeeling. If she says that she feels regret, anti-abortion activists use this to push for laws that restrict access to abortion or laws that assume women are incapable of making their own decisions without the interference of others.
So instead, we just don’t talk about it. That’s how abortion came to be discussed as an “issue” instead of an experience. . . .
In ELLE's November issue, features director Laurie Abraham wrote a trenchant, honest essay about her abortions. Here, we share stories from other women who had abortions, to show that different women have different reasons for having an abortion, and that the procedure inspires all sorts of feelings—all of them, valid.
The Los Angeles Times: New class of abortion providers helps expand access in California, by Lee Romney:
Ever since the Planned Parenthood health center here opened, the six cushioned recliners in the recovery room had been in steady demand every Friday.
That's when a physician would rotate through to perform abortions for four hours. When everyone in the crowded waiting room knew why the woman next to her was there, when they all had to walk past a cluster of antiabortion protesters.
But a state law that went into effect in January has authorized nurse practitioners, certified nurse midwives and physician assistants to perform a method of first-trimester abortion known as vacuum aspiration. Previously, only doctors were allowed to do so.
With the expanded pool of providers, this Marin County clinic can now carry out the procedure as routinely as breast exams and birth control consultations, stripping away the taint of "abortion day." . . .
Friday, October 17, 2014
The New York Times: Take Back the Right: Katha Pollitt's 'Pro: Reclaiming Abortion Rights', by Clara Jeffery:
“I never had an abortion, but my mother did. She didn’t tell me about it, but from what I pieced together after her death from a line in her F.B.I. file, which my father, the old radical, had requested along with his own, it was in 1960, so like almost all abortions back then, it was illegal.”
Thus begins “Pro,” the abortion rights manifesto by the Nation columnist, poet and red diaper baby Katha Pollitt. While parents with F.B.I. files may be exotic, her departure point is that abortion was and is not. . . .
The Chicago Tribune: Review: 'Pro' by Katha Pollitt, by Martha Bayne:
. . . Over the book's 200-odd pages, Pollitt — longtime columnist for The Nation and all-around feminist public thinker — charts with passion and intellectual rigor just how much the lives of American women have changed since 1960, and how very much they haven't. . . .
Here's an interview with Pollitt:
And a roundtable on Minnesota Public Radio among Pollitt, Sarah Stoesz, President of the Planned Parenthood Minnesota, North Dakota, South Dakota Action Fund, and Teresa Collett, Professor of Law at the University of St Thomas:
MPR News: The politics and policy of abortion
Friday, September 12, 2014
The New York Times op-ed: This Is What an Abortion Looks Like, by Merritt Tierce:
I MET Wendy Davis, the Texas state senator and Democratic candidate for governor, for the first time last week, and I told her how much it meant to me that she wasn’t afraid to talk about abortion. But we need a much larger conversation about abortion — one that also includes, without prejudice, the stories unlikely to generate much sympathy. Stories like mine.
Ms. Davis’s background feels familiar to me. She became a single mother at 19, her first marriage lasted only two years, and she worked as a receptionist and waitress until she could afford to go back to school. I had two children by the time I was 21, filed for divorce at 23, and worked as a secretary and waitress. Thanks to the support of friends and family, and especially my ex-husband, the father of my children, I was able to go back to school in 2009. And like Ms. Davis, I have also had two abortions. . . .
Thursday, September 4, 2014
Slate -- The XX Factor blog: The Mindy Project Really Needs an Abortion Storyline, by Amanda Marcotte:
Dr. Mindy Lahiri, the loveable lead played by Mindy Kaling in the sitcom The Mindy Project, is an OB-GYN. Her job functions as more than background decoration, as Jessica Goldstein of ThinkProgress notes. “One of the most standout things about The Mindy Project is the way its setting has allowed for stories that explicitly deal with women’s health,” she writes, citing storylines about birth control, condom distribution, and even The Talk.
But there's one aspect of reproductive health care that Kaling has no intention of touching on in the sitcom: abortion. “It would be demeaning to the topic to talk about it in a half-hour sitcom,” she recently said in the October issue of Flare.
Sorry, but that's total nonsense. . . .
Tuesday, August 5, 2014
The New Yorker: What is a Woman?, by Michelle Goldberg:
The dispute between radical feminism and transgenderism.
O May 24th, a few dozen people gathered in a conference room at the Central Library, a century-old Georgian Revival building in downtown Portland, Oregon, for an event called Radfems Respond. The conference had been convened by a group that wanted to defend two positions that have made radical feminism anathema to much of the left. First, the organizers hoped to refute charges that the desire to ban prostitution implies hostility toward prostitutes. Then they were going to try to explain why, at a time when transgender rights are ascendant, radical feminists insist on regarding transgender women as men, who should not be allowed to use women’s facilities, such as public rest rooms, or to participate in events organized exclusively for women. . . .
Wednesday, July 23, 2014
Salon: Women who don’t use birth control explain why not, slut-shame those who do, by Jenny Kutner:
Hint: It's because they don't understand how birth control works
In the aftermath of the Hobby Lobby ruling that will effectively allow corporations to prevent their female employees from accessing certain forms of contraception, BuzzFeed posted explanations from 22 of its own female employees about why they use birth control. The responses ranged from medical — “for my endometriosis” — to ethical — “because it’s none of your business” — to practical — “because condoms break sometimes.” All were different, but each reflected some of the most common reasons that more than 99 percent of sexually active adult women use some form of contraception.
Well, the <1 percent of women who don’t use birth control took it upon themselves to respond to BuzzFeed by explaining their own reproductive choices, listing the reasons theydon’t use birth control on the faith-centered blog Catholic Sistas (not a spelling error). But instead of simply offering up their “logical” (read: totally putative) justifications, the women also illustrated a general lack of understanding of how birth control works, as well as what it means not to try to “force others to follow what we believe” by sending preachy messages about the virtue of sexing to make babies. . . .
Tuesday, June 24, 2014
The Wrap: Planned Parenthood Jumps Into ‘Obvious Child’ and NBC Abortion Flap, by Eric Czuleger:
Planned Parenthood is lashing out at NBC for refusing to air the trailer for Jenny Slate's new film,”Obvious Child.” The organization has launched an online petition to pressure the network into reversing its decision. . . .
Sunday, June 8, 2014
Obvious Child's story goes like this: Boy dumps girl; girl is sad; girl rebounds with nice guy she meets at a bar, and then things get complicated. Comedian Jenny Slate plays Donna, the main character:
"Donna's in her late 20s. She's a comedian in Brooklyn. ... It's going pretty well for her at the start of the film. [But then] she ends up getting dumped and fired and then pregnant all in time for Valentine's Day. ... It all really starts to circle the drain a little bit."
Slate and director Gillian Robespierre join NPR's Rachel Martin to talk about the challenges of making a romantic comedy about abortion.
Listen to the story here. See also:
TIME: The Obvious Question About Obvious Child: How Do You Make a Rom-Com With an Abortion?, by Lily Rothman
The Huffington Post: 'Obvious Child' Is An Abortion Rom-Com -- And The Year's Most Revolutionary Film, by Emma Gray
Thursday, June 5, 2014
Slate - DoubleX blog: No More Shmashmortion, by Amanda Hess:
Obvious Child is the most honest abortion movie I’ve ever seen. It’s about time.
In the new movie Obvious Child, twentysomething stand-up comic Donna gets pregnant after a drunken one-night stand, loses her job, attempts to schedule an abortion at her local Planned Parenthood clinic, and—cherry on top—discovers that the only available appointment is on Feb. 14. Turns out, it’s the perfect day: This is a romantic comedy where the girl gets an abortion and gets the guy. Along the way, she doesn’t even have a change of heart, contract a nasty infection, or succumb to a tragic death. That makes Obvious Child a run-of-the-mill story for a woman in America but an exceedingly rare tale for a woman on film. . . .
Wednesday, May 28, 2014
TIME: What’s Desperately Needed in Sex Education Today, by Jaclyn Friedman:
The tragic story of Elliot Rodger and his misogynistic path to murder in Santa Barbara should compel us to have a truthful conversation about sex ed and intimacy with our teens. It's time.
Most sex education messages in the U.S. go to great pains to elide one basic truth: that sex can be an incredible, pleasurable experience. In theory, that’s to avoid encouraging young people to have sex, but what it does in practice is deprive us all of the expectation that sex should be great. And increase the odds that the sex we do have will live down to those suppressed expectations. When we don’t expect sex to be a mutually satisfying experience shared by two people, it leaves us vulnerable to some truly poisonous alternative ideas, including the stubborn myth that sex is a precious commodity that men acquire from women. . . .