Wednesday, September 21, 2016
Since 2013, the Urban Resource Institute’s program URIPALS (People and Animals Living Safely) has helped families with pets escape domestic violence and enter shelter together. Now the Institute has published a white paper exploring the connection between domestic violence and pet abuse. Excerpts from the report follow:
The connection between domestic violence and pet abuse is very real, and in many cases, pet ownership becomes a barrier to safety because of the survivor’s unwillingness to leave their pet behind. The choice in many cases is forced because there are few programs that allow survivors of domestic violence to bring their pets with them when entering a shelter. This reality points to a great need both in New York City and nationally for more services for domestic violence survivors who are pet owners. It is vital for domestic violence service providers, animal advocates, funders and government partners to work together to support the growth of programs like URIPALS in order to ensure that people are able to leave an abusive environment with their entire family—pets included.
Leveraging findings from URIPALS, the white paper reveals:
- Insights from pet owners and survivors of domestic violence
- Recommendations for building a co-sheltering model, where people and pets are able to live together in shelter
- Current barriers to safety for pet owners seeking shelter
Monday, September 5, 2016
Fast Company (August 15, 2016): Patagonia's CEO Explains How To Make On-Site Child Care Pay For Itself, by Rose Marcario:
Patagonia CEO Rose Marcario explains that many businesspeople ask how companies can afford the plethora of family centered benefits similar to those offered to Patagonia employees: "company-paid health care and sick time for all employees; paid maternity and paternity leave; access to on-site child care for employees at our headquarters in Ventura, California, and at our Reno, Nevada, distribution center; and financial support to those who need it, among other benefits." Marcario writes that while paid leave should be favored because it is the ethically responsible thing to do, it is also an effective business model, with an-in depth look at the tax benefits, employee retention, and employee engagement fostered by Patagonia's policies. This is something Patagonia has done since its inception, and current leadership maintains a staunch commitment to these values:
For 33 years, Patagonia has provided on-site child care—a mandate from our founders, who believed it was a moral imperative. Even in times of economic struggle the program was never cut, because they believed in providing a supportive work environment for working families. Taking care of our tribe is part of our culture and our commitment to helping our own people live the way they want. It’s true, there are financial costs to offering onsite child care, and they can be expensive if you offer high-quality programs or subsidize your employees’ tuition when onsite care is not available.
But the benefits—financial and otherwise—pay for themselves every year. As a CEO, it’s not even a question in my mind. Business leaders (and their chief financial officers) should take note.
Friday, September 2, 2016
New York Times (Aug. 31, 2016): Review: "The Art of Waiting," What to Expect When You're Still Not Expecting, by Jennifer Senior:
In this book review of Belle Boggs's "The Art of Waiting: On Fertility, Medicine, and Motherhood," Senior describes the book as a dispeller of myths. Myths about infertility abound: it is primarily a while, upper-middle-class problem, it is a woman's problem, it is rare and unnatural. None of these myths is even remotely true. The psychological experience of infertility and the attempts to treat it are harrowing:
There is always one more treatment to try or redo, provided she’s willing to spring for it or disappear into a canyon of debt. There’s adoption to consider; there’s also the simple possibility of giving up, of deciding there’s another kind of life to be lived. Ms. Boggs did that for a while. It was both horrible and a great relief. “I felt split in two,” she writes. “The person I had hoped to become was torn away, leaving only the person I had always been.” She eventually resumes trying.
Apart from the psychological devastation of trying and failing to have children is the crushing social isolation. As Senior puts it, "There’s something truly challenging, if not excruciating, about being out of step with your cohort."
At times the book seem hermetic because Boggs focuses primarily on her mileu of artists and writers. Nonetheless, concludes Senior, Boggs's has given "a cold, clinical topic some much-needed warmth and soul."
Wednesday, August 17, 2016
The Atlantic (August 3, 2016): It's Time to Make 'Women's Work' Everyone's Work, by The Atlantic
In such a simple yet powerful video interview, Anne Marie-Slaughter contends that the women's movement is missing an "emphasis on caregiving policies." Slaughter asks why we have failed to recognize that traditional women's work is just as important as traditional men's work. She argues that cultivating the idea that breadwinning and caregiving are equally as important in a successful household is key in achieving true equality.
Thursday, July 28, 2016
Huffington Post (Jul. 18, 2016): A Play about Abortion Care Shows How "Remarkably Normal" It Is, by Katherine Brooks:
A new documentary play, "Remarkably Normal," shares the stories of real women gleaned from in-depth interviews to emphasize the statistic that one in three American women will have an abortion in their lifetime but that, shockingly, access to medically safe abortion care remains in doubt. The play "aim[s] to express the emotions and humanity of a common experience that political discussions underplay" and for which we, no matter our political stripe, allow little room for honest conversation.
Playwrights Marie Sproul and Jessi Blue Gormezano believe that theater can inspire social change by opening audiences' hearts and minds. They envision "Remarkably Normal" as a game changer--a play by women about women--in an industry dominated by men.
Not only is "Remarkably Normal" a documentary play. It is also an interview play, "a play in which the playwright interviews people on a particular subject and then uses that material to create the play and the characters in it. The audience experiences the play as the interviewer, hearing the responses of the people to whom the questions were asked." The effect is a riveting portrait of women reliving an experience few can understand without experiencing it themselves. Nonetheless, whether one has lived these experiences or not, "Remarkably Normal" makes them impossible to dismiss and in the process deeply humanizes the women telling their stories.
Friday, July 1, 2016
New York Times (June 13, 2016): China's Call to Young Men: Your Nation Needs Your Sperm, by Javier C. Hernández:
Styling it as an important contribution to society, the Chinese government is doing all it can to encourage young men to donate sperm. The country faces severe shortages, and about half of the current volunteers are screened out.
The enticements to donate run the gamut, including coveted iPhones and cash along with messages of patriotism and exhortations to help China deal with its aging population. Culturally, though, donating sperm and using donated sperm are hard to sell. Men in China associate semen with vitality and are reluctant to give any away. Couples struggling with fertility are many times uncomfortable using an unrelated man's sperm to conceive.
Sunday, February 7, 2016
New York Times (Feb. 5, 2016): Female Genital Cutting: Not Just "an African Problem," by Pam Belluck and Joe Cochrane:
New documentation shows that female genital cutting is widespread in Indonesia, one of the most populous countries in Asia and the world's most populous Muslim-majority nation. It is estimated that 60 million women and girls have been cut, using a technique that is less invasive than is common in Africa. Current regulations require the cutting to be performed by a medical professional who may do no more than scratch the clitoral hood without injuring the clitoris. Most cutting is performed on infants. Unicef has been working in Indonesia to end the practice.
The practice of female genital cutting persists, despite reductions in its incidence worldwide. The reductions are not keeping up with population growth with the result that the number of girls and woman being cut is expected to rise over the next 15 years. Cultural beliefs about the practice vary, including that without it women cannot truly be women and cannot marry.
Tuesday, January 19, 2016
New York Times (Jan. 17, 2016): On Paper, Italy Allows Abortions, but Few Doctors Will Perform Them, by Gaia Pianigiani:
Thirty years ago, the long fight for abortion rights resulted in a law permits abortion with ninety days of pregnancy and later for women in mental or physical danger or in cases of serious fetal pathologies. But nearly three-quarters of the country's gynecologists--more in some regions--are conscientious objectors to the law, reflecting the influence of the Roman Catholic Church in the delivery of medical care. Many non-objecting physicians, who tend to be part of the older generation of practitioners, are approaching retirement age. Non-invasive abortions are completely unavailable in some regions, despite a national directive that has been in place since 2009. The European Committee of Social Rights has deemed the lack of access to abortion in certain regions detrimental to the health of women.
Thursday, April 30, 2015
TIME - Ideas: We Need to Talk—Really Talk—About Abortion, by Cecile Richards:
America has an urgent need for authentic public dialogue about abortion
When Jemima Kirke, an artist and star of HBO’s Girls, recently talked openly about her personal experience with abortion, media took notice. Her story made it plain that, too often, women’s access to abortion and other reproductive health care is seriously limited due to their economic circumstances and because of the part of the country where they live. Jemima’s story was also a reminder that the ability to decide when or whether to have children is key to women’s opportunity to be financially secure and pursue their dreams. In recent years, spurred on by the reproductive justice movement, young people are refusing to be shamed or silenced about their personal decisions around abortion. . . .
Tuesday, March 17, 2015
The Washington Post: Elton John is boycotting Dolce and Gabbana for calling children conceived with IVF ‘synthetic’, by Soraya Nadia McDonald:
This year, Italian designers Domenico Dolce and Stefano Gabbana unveiled a celebration of motherhood at Milan Fashion Week, sending models down the catwalk who were visibly pregnant or carrying little chubby-cheeked bundles of joy. . . .
Recent statements Dolce and Gabbana made to Panorama, an Italian magazine, have cast their fall-winter 2016 collection, which they named “Viva la mamma,” in an entirely new light.
In the interview, translated by the Telegraph, the couple stated: “We oppose gay adoptions. The only family is the traditional one. … No chemical offsprings and rented uterus: Life has a natural flow, there are things that should not be changed.”
“You are born to a mother and a father — or at least that’s how it should be,” Dolce said. “I call children of chemistry, synthetic children. Rented uterus, semen chosen from a catalog.” . . .
Tuesday, February 24, 2015
The Washington Post: TV gets smart — and sensitive — about abortion, by Alyssa Rosenberg:
For all Lena Dunham’s indie comedy “Girls” has been lauded for its bravery, back in 2012 during its first season, the show took what felt like an early punt. On her way to have an abortion, Jessa (Jemima Kirke) had one of pop culture’s infamous spontaneous miscarriages, saving her — and the show — from making a decision that Hollywood still treats as controversial. Last night, the show finally circled back around to the subject, when Adam’s (Adam Driver) new girlfriend, Mimi-Rose (Gillian Jacobs), revealed that she’d had an abortion without consulting him. . . .
Jezebel: While You Watched the Oscars, Girls Did a Super Chill Abortion Episode, by Anna Merlan:
Here it is, because we have to talk about it: a character on Girls had an abortion, and it was very chill. Adam's new girlfriend Mimi-Rose politely declined his request to go for a jog, telling him, "I can't go for a run because I had an abortion yesterday." The scene that followed was both laudable in its matter-of-fact depiction of abortion and bizarre in just about every other way. Does no one on this show ever think about money? Ever? . . .
Yahoo Health: What Makes The Portrayal Of Abortion On 'GIRLS' Different Than The Rest, by Jennifer Gerson Uffalussy:
Last night, the most shocking thing on the Lena Dunham-helmed HBO show GIRLS wasn’t a graphic sex act (as has become the series’ calling card). It was the straightforward and non-sensationalized way in which one of the show’s characters discussed her decision to have an abortion. . . .
Sunday, February 22, 2015
The Huffington Post: 'Girls' Finally Went There With An Abortion Storyline, by Laura Duca & Emma Gray:
“I can’t go for a run because I had an abortion yesterday,” announces Adam Sackler’s new girlfriend, Mimi-Rose Howard. With that statement, “Girls” joined the (limited) ranks of TV shows that a) have a character follow through with an abortion and b) deal with the subject in a way that is both interesting and adds positively to the dialogue about reproductive choice. . . .
Friday, October 24, 2014
Elle: Ending the Silence That Fuels Abortion Stigma, by Cecile Richards:
It’s hard to imagine a medical procedure in this country that carries the stigma and judgment that abortion does. Women’s experiences are often seen through the lens of cultural and political battles. If a woman says that she’s relieved after having an abortion, she may be judged for being heartless or unfeeling. If she says that she feels regret, anti-abortion activists use this to push for laws that restrict access to abortion or laws that assume women are incapable of making their own decisions without the interference of others.
So instead, we just don’t talk about it. That’s how abortion came to be discussed as an “issue” instead of an experience. . . .
In ELLE's November issue, features director Laurie Abraham wrote a trenchant, honest essay about her abortions. Here, we share stories from other women who had abortions, to show that different women have different reasons for having an abortion, and that the procedure inspires all sorts of feelings—all of them, valid.
The Los Angeles Times: New class of abortion providers helps expand access in California, by Lee Romney:
Ever since the Planned Parenthood health center here opened, the six cushioned recliners in the recovery room had been in steady demand every Friday.
That's when a physician would rotate through to perform abortions for four hours. When everyone in the crowded waiting room knew why the woman next to her was there, when they all had to walk past a cluster of antiabortion protesters.
But a state law that went into effect in January has authorized nurse practitioners, certified nurse midwives and physician assistants to perform a method of first-trimester abortion known as vacuum aspiration. Previously, only doctors were allowed to do so.
With the expanded pool of providers, this Marin County clinic can now carry out the procedure as routinely as breast exams and birth control consultations, stripping away the taint of "abortion day." . . .
Friday, October 17, 2014
The New York Times: Take Back the Right: Katha Pollitt's 'Pro: Reclaiming Abortion Rights', by Clara Jeffery:
“I never had an abortion, but my mother did. She didn’t tell me about it, but from what I pieced together after her death from a line in her F.B.I. file, which my father, the old radical, had requested along with his own, it was in 1960, so like almost all abortions back then, it was illegal.”
Thus begins “Pro,” the abortion rights manifesto by the Nation columnist, poet and red diaper baby Katha Pollitt. While parents with F.B.I. files may be exotic, her departure point is that abortion was and is not. . . .
The Chicago Tribune: Review: 'Pro' by Katha Pollitt, by Martha Bayne:
. . . Over the book's 200-odd pages, Pollitt — longtime columnist for The Nation and all-around feminist public thinker — charts with passion and intellectual rigor just how much the lives of American women have changed since 1960, and how very much they haven't. . . .
Here's an interview with Pollitt:
And a roundtable on Minnesota Public Radio among Pollitt, Sarah Stoesz, President of the Planned Parenthood Minnesota, North Dakota, South Dakota Action Fund, and Teresa Collett, Professor of Law at the University of St Thomas:
MPR News: The politics and policy of abortion
Friday, September 12, 2014
The New York Times op-ed: This Is What an Abortion Looks Like, by Merritt Tierce:
I MET Wendy Davis, the Texas state senator and Democratic candidate for governor, for the first time last week, and I told her how much it meant to me that she wasn’t afraid to talk about abortion. But we need a much larger conversation about abortion — one that also includes, without prejudice, the stories unlikely to generate much sympathy. Stories like mine.
Ms. Davis’s background feels familiar to me. She became a single mother at 19, her first marriage lasted only two years, and she worked as a receptionist and waitress until she could afford to go back to school. I had two children by the time I was 21, filed for divorce at 23, and worked as a secretary and waitress. Thanks to the support of friends and family, and especially my ex-husband, the father of my children, I was able to go back to school in 2009. And like Ms. Davis, I have also had two abortions. . . .
Thursday, September 4, 2014
Slate -- The XX Factor blog: The Mindy Project Really Needs an Abortion Storyline, by Amanda Marcotte:
Dr. Mindy Lahiri, the loveable lead played by Mindy Kaling in the sitcom The Mindy Project, is an OB-GYN. Her job functions as more than background decoration, as Jessica Goldstein of ThinkProgress notes. “One of the most standout things about The Mindy Project is the way its setting has allowed for stories that explicitly deal with women’s health,” she writes, citing storylines about birth control, condom distribution, and even The Talk.
But there's one aspect of reproductive health care that Kaling has no intention of touching on in the sitcom: abortion. “It would be demeaning to the topic to talk about it in a half-hour sitcom,” she recently said in the October issue of Flare.
Sorry, but that's total nonsense. . . .
Tuesday, August 5, 2014
The New Yorker: What is a Woman?, by Michelle Goldberg:
The dispute between radical feminism and transgenderism.
O May 24th, a few dozen people gathered in a conference room at the Central Library, a century-old Georgian Revival building in downtown Portland, Oregon, for an event called Radfems Respond. The conference had been convened by a group that wanted to defend two positions that have made radical feminism anathema to much of the left. First, the organizers hoped to refute charges that the desire to ban prostitution implies hostility toward prostitutes. Then they were going to try to explain why, at a time when transgender rights are ascendant, radical feminists insist on regarding transgender women as men, who should not be allowed to use women’s facilities, such as public rest rooms, or to participate in events organized exclusively for women. . . .
Wednesday, July 23, 2014
Salon: Women who don’t use birth control explain why not, slut-shame those who do, by Jenny Kutner:
Hint: It's because they don't understand how birth control works
In the aftermath of the Hobby Lobby ruling that will effectively allow corporations to prevent their female employees from accessing certain forms of contraception, BuzzFeed posted explanations from 22 of its own female employees about why they use birth control. The responses ranged from medical — “for my endometriosis” — to ethical — “because it’s none of your business” — to practical — “because condoms break sometimes.” All were different, but each reflected some of the most common reasons that more than 99 percent of sexually active adult women use some form of contraception.
Well, the <1 percent of women who don’t use birth control took it upon themselves to respond to BuzzFeed by explaining their own reproductive choices, listing the reasons theydon’t use birth control on the faith-centered blog Catholic Sistas (not a spelling error). But instead of simply offering up their “logical” (read: totally putative) justifications, the women also illustrated a general lack of understanding of how birth control works, as well as what it means not to try to “force others to follow what we believe” by sending preachy messages about the virtue of sexing to make babies. . . .
Tuesday, June 24, 2014
The Wrap: Planned Parenthood Jumps Into ‘Obvious Child’ and NBC Abortion Flap, by Eric Czuleger:
Planned Parenthood is lashing out at NBC for refusing to air the trailer for Jenny Slate's new film,”Obvious Child.” The organization has launched an online petition to pressure the network into reversing its decision. . . .