Monday, October 8, 2018
Sara Aridi in the New York Times has a feature on "Refugees and Migrants Tell Their Own Stories Through Photographs." The article reports on “Another Way Home,” the 25th annual “Moving Walls” exhibition series by the Open Society Documentary Photography Project. in the series, migration takes center stage not only because of our times, but because it has been a constant theme throughout the series’ history.
Wednesday, October 3, 2018
The Architectural Photography Awards shortlist for 2018 includes, under the category "Exterior Images," the below photo by Shao Feng. It's an overhead shot of the Hong-Kong-Zhuhai-Macau Border Crossing Facility.
Award finalists will be chosen in late November.
Tuesday, September 11, 2018
As I've mentioned before, I like using the documentary Well Founded Fear when teaching asylum. I give my students clips from the film and ask them to gauge the veracity of the applicants.
One of the clips that I use involves an asylum officer describing an individual coming to him with a "textbook Falun Gong" case who turns out to be a Catholic priest (with a genuine as opposed to fraudulent asylum claim). Given the emphasis in the movie about the falsity of Falun Gong cases, I've often wondered about legitimate cases.
Imagine, therefore, my surprise to see this interview by HONY:
“My grandmother was the first in our family to discover it. One day she joined a meditation in the park. She was taking so many medications at the time, but she threw them all away and never took another trip to the hospital. That was before the crackdown. At one time were one hundred million followers of Falun Gong in China. It’s a peaceful religion. But the following grew too big. Our teacher seemed like a threat to the government. They said crazy things on state media. They called it a cult. They said we’re terrorists and that we kill our parents. They began to arrest us. They even harvested our organs. I know it sounds crazy, but you can Google it. We tried to resist. We practiced inside our home. We secretly handed out fliers to push back against the propaganda. But they caught me on camera. Everywhere there are cameras. They followed me to my home. They shoved me in their car. For eight months I was in detention. The first thing they did was take a sample of my blood. For hours every day they put us in a room and forced us to watch television about how to be a good citizen. If anyone looked away, the whole group was punished. Eventually my family bribed the court with huge money and they let me go. But for three years I had to write a letter every month saying that I am a guilty person. When my probation ended, I left the country.”
This could be an excellent addition to your discussion of Well Founded Fear or be used as an asylum real-o-thetical on its own.
Friday, August 31, 2018
David Bacon “The Border, The Work & The Fight” is an exhibit of photographs that show the humanity in our social constructs. It now is at the Union Hall Gallery in Sacramento. They elucidate the complexities of the border as an area with a vibrant social history and powerful social symbolism, especially the wall that has been built in fits and starts, underlining the separation of our two countries.
Check out David Bacon's work here.
Thursday, August 16, 2018
Tommy Trenchard, a Capetown-based freelance photographer and journalist, has taken a series of photographs designed to capture the day-to-day life of South Sudanese refugees in Uganda. Check out the BBC's highlights, which include this snapshot of a toy car made from waste plastic.
Anne Quito on Quartz discusses We Are Like Air, Xyza Cruz Bacani’s exhibition at the Open Source Gallery in Brooklyn. As the article explains,
"The exhibit’s title, “We Are Like Air,” alludes to these invisible, but essential agents—waiters, housekeepers, drivers, fast food agents, street sweepers, security guards—who ensure the smooth operation of our convenient lives without being seen. Their personal stories, like their presence, are engineered to recede, and it takes someone like Bacani to shock us into seeing them with open eyes and hearts. Frame by frame, Bacani explores not just longing or strife but also love, folly, and levity."
Tuesday, July 3, 2018
As Kevin noted earlier today, Christ Church Cathedral in Indianapolis has put a cage around statutes of put Mary, Joseph and Jesus in protest over our nation's immigration policies. It isn't the only church to take a stand on the issue.
Here is a statement from the Family of God Lutheran Church in East Grand Forks, MN:
Statements like these are particularly powerful in the face of efforts by the Trump administration to use the bible to justify its policies.
Monday, July 2, 2018
Kit Johnson posted about the immigration protests this weekend and had a wonderful family "protest" picture.
CNN has collected some pictures from protests across the country, which offer a sense of the size and message of the protesters. Here are a few.
Chicago: Protesters fill Daley Plaza to listen to speakers and show opposition to the White House's immigration policies. Kamil Krzaczynski/EPA-EFE
Chicago: A young girl holds a sign as she takes part in the protest. Jim Young/AFP/Getty Images
New York: People march across the Brooklyn Bridge in support of families separated at the border. Spencer Platt/Getty Images
New York: A protester marches across the Brooklyn Bridge. Eduardo Munoz Alvarez/AFP/Getty Images
Friday, June 15, 2018
Humans of New York recently interviewed this young man from Benin:
Here's what he had to say:
“I’m from a small country in Africa called Benin. I won the visa lottery to come here. I didn’t even know I was eligible. My brother entered my name and didn’t even tell me. I was studying to be a psychiatrist at the time. I assumed that I’d be able to continue with medical school. But when I arrived here, I found out that none of my credits would transfer. I had a choice: either go home and become a doctor, or start from the bottom. I didn’t speak any English. I didn’t have any money. But I knew if I could somehow make it here, my degree would be much more valuable. So I made the choice to stay. I began practicing English with my young nieces. The first thing I learned was: ‘I’m going to kick you.’ I got a job with a catering company and learned how to say ‘I’m here to deliver your food.’ I studied as many YouTube videos as I could during my free time. It’s been three years now. I’m almost finished with my bachelor’s degree. Just two classes left. At nights I work as a behavioral specialist in a mental health facility. I’m going to take the MCAT in September. My friends back home have all become doctors already, but I try not to think about them. I don’t want to lose my focus. I haven’t made it yet, but I’m making it.”
This kind of first-person story-telling might be a great addition to your discussion of the diversity visa.
Thursday, May 3, 2018
From the Bookshelves: Undocumented: Immigration and the Militarization of the U.S.-Mexico Border by John Moore
Sunday, April 22, 2018
Reuters has been awarded a Pulitzer prize for "shocking photographs that exposed the world to the violence Rohingya refugees faced in fleeing Myanmar." You can see the full collection of award-winning photographs at this link. Among the photos is this one, snapped by photojournalist Damir Sagolj in December 2017. It's of an 11-month-old Rohingya refugee, Abdul Aziz, who died in a Bangladeshi refugee camp after battling a high fever and severe cough.
Wednesday, March 7, 2018
Lewis Hine was an American photographer and sociologist who used his photographs to achieve social change. Last month, a small collection of Hine photographs was put up for auction, including this one of a mother and child at Ellis Island in 1907:
The auction included several other Hine photographs of Ellis Island, which the BBC reprints here. Hine chose to take photographs at Ellis Island in order "to give a human face to the newly arrived families, who were often feared by New Yorkers."
Monday, March 5, 2018
The Facebook sensation Humans of New York is currently reporting stories of Rohingya refugees in Bangladesh. The first story is both horrific and moving.
This young man told HONY:
It was early in the morning when the military came. I woke up to a big sound that sounded like a bomb blast. Then the shooting started and everyone was screaming. We ran for our lives. It was dark and there were people running all around us. It only took us thirty minutes to get to safety because our village is close to the border. But then some of us decided to go back. There were five of us. We were curious. We wanted to see what happened to the others. We crawled on our stomachs to the top of a hill, and looked down at our village. There were so many dead bodies. Some of them were my cousins. I saw a girl from school with three soldiers kneeling on top of her. They were covering her mouth so she wouldn’t scream. I felt so dizzy. I couldn’t stand up. I used to have a dream that I was going to grow up and help my family. I was studying hard. Now I don’t even know why I’d want to live in this world.
Along with shedding light on the dire situation of the Rohingya, HONY is raising funds to help build inexpensive bamboo houses for the refugees.
Thursday, December 14, 2017
The Guardian has a feature with photos by Veronica G Cardenas. Cardenas photographed life on the route of la Bestia – the freight train on which Central American men, women and children band together as a caravan to make the brutal 20-day journey through Mexico. They can travel without having to pay, but still they risk kidnappings, rape and injury. Some of them will start anew in Mexico. A few will go further north to seek asylum in the US.
Sunday, November 19, 2017
Photojournalist Alessio Paduano captured this dramatic image of a migrant near drowning in the Mediterranean. As the BBC reports, Paduano was on board a rescue ship racing to help migrants who ran into trouble with their inflatable boat. He heard "desperate screams coming from everywhere" that "felt even more deafening in the silence of the sea."
Wednesday, September 27, 2017
Brandon Stanton's most recent posts record interviews with DREAMers, like this one:
I was on a leadership team in 5th grade. At the end of the year we were supposed to take a trip to Washington DC. We held fundraisers and everything. But when it was time to go, I didn’t have the identification papers to buy a plane ticket. So our teacher Ms. Rivera decided that we’d take a bus. Just so I could go too. That trip changed my life. It made me want to be a lawyer. And Ms. Rivera became one of the closest people in my life. She always kept in touch. She basically watched me grow up...
Sunday, September 10, 2017
CBS News offers detail about a French artist known as "JR" who erected the cut-out of the boy that stands nearly 65 feet tall and is meant to prompt discussion of immigration. "Meet Kikito, he turned 1 year old last April," JR tweeted Friday. "The piece is visible close to the Tecate border for a month."
Thursday, September 7, 2017
Check out this stunning new art installation in Tecate, Mexico on the U.S.-Mexico border. This photo of the project is from the French street artist behind it: JR.
Laist reports that the boy in the photograph is David Enrique (nicknamed "Kikito"), a nearby resident.
Tuesday, July 11, 2017
Photo: Roland Williams/The Migration Museum Project
Are you headed to London? Consider checking out the city's Migration Museum at the Workshop, "an adventurous programme of exhibitions, events and education workshops, telling stories of movement to and from Britain."
Current exhibits include Call Me by My Name: Stories from Calais and Beyond, 100 Images of Migration, and Keepsakes.
For more about the museum, check out this lovely write-up from the Pacific Standard magazine.
Friday, May 26, 2017
Dorothea Lange's “Migrant Mother,” taken in Nipomo, Calif., in March 1936, captured the despair of that era through the eyes of a 32-year-old mother who had just sold her car tires for food. (Dorothea Lange)
The Associated Press reminds us of the work of Dorothea Lange and ties it to the modern migration struggles. Lange was driving by a pea pickers’ camp on the California coast when she stumbled across a weary mother and her many children huddled in a lean-to.
It was 1936, during the throes of the Great Depression, and Lange took out her camera. The image she titled “Migrant Mother” became the late photographer’s most famous work, capturing the dirt and despair of that era.
The photograph, digitally scanned and enlarged, is a dominant feature of a new exhibit at the Oakland Museum of California called “Dorothea Lange: Politics of Seeing.” The exhibit of 100 of Lange’s photographs includes Dust Bowl migrants, Japanese Americans incarcerated during World War II, the homeless and post-war urban decline.