Tuesday, February 10, 2015
Photo via Fandango
I took my boys to see Paddington this weekend, and I can report that Paddington is something more. He is a child. And he doesn't travel to London because he wants to. He travels to London because he has to. In short, Paddington is an unaccompanied minor.
SPOILER ALERT - the next two paragraphs contains plot points from the first part of the movie.
Paddington is an orphan. The uncle who cared for him is dead, and his last remaining relative, an aunt, is too old to care for him anymore.
But it's the parting words of his aunt, sending him onwards to London because she can't think of how else to provide for him, that really hit home the UMC angle of this movie:
Long ago, people in England sent their children by train with labels around their necks, so they could be taken care of by complete strangers in the country side where it was safe. They will not have forgotten how to treat strangers.
It's that last bit that really gets me: They will not have forgotten how to treat strangers. I think, unfortunately, we have.
One musician award winner should not get lost in the shuffle. The Recording Academy also honored recipients of the 2015 Lifetime Achievement Award, including Flaco Jiménez. Jiménez is a Conjunto, Norteño and Tejano music accordionist from San Antonio, Texas.
Jiménez began performing, at the age of seven, with his father, Santiago Jiménez Sr, who was a pioneer of conjunto music and began recording at age fifteen as a member of Los Caporales. He played in the San Antonio area for several years, and then began working with Douglas Sahm in the 1960s. Sahm, better known as the founding member of the Sir Douglas Quintet, played with Jiménez for some time.
Flaco then went on to New York City and worked with Dr. John, David Lindley, Peter Rowan, Ry Cooder and Bob Dylan. He appeared on Cooder's world music album Chicken Skin Music and on the Rolling Stones' Voodoo Lounge. This led to greater awareness of his music outside America and, after touring Europe with Ry Cooder, he returned to tour in America with his own band, and on a joint bill with Peter Rowan.Jiménez, Peter Rowan and Wally Drogos were the original members of a band called The Free Mexican Airforce.
Jiménez won a Grammy Award in 1986 for Ay Te Dejo en San Antonio, one of his father's songs. He was also a member of the Tejano fusion group Texas Tornados, with Augie Meyers, Doug Sahm and Freddy Fender. The Texas Tornados won a Grammy Award in 1990, and Jiménez earned one on his own in 1996, when his self-titled album Flaco Jiménez won the Grammy Award for Best Mexican-American Performance. In 1999, Flaco earned another Grammy Award for Best Tejano Performance for Said and Done and one for Best Mexican-American Performance as a part of supergroup Los Super Seven.
Jiménez has also won a Best Video award at the Tejano Music Awards and earned a Lifetime Achievement Award from Billboard Latin Magazine for "Streets of Bakersfield" with Dwight Yoakam and Buck Owens.
Thursday, February 5, 2015
Last night was the premiere of Fresh Off the Boat, the ABC sitcom based on celebrity chef' Eddie Huang's memoir and the first network primetime show to feature an Asian-American family in 20 years. The special double episode premiere on Wednesday received solid ratings.
Here was the synopsis of the premiere episode:
It’s 1995 and 11-year-old hip-hop loving Eddie Huang (Hudson Yang) has just moved with his family from Chinatown in Washington D.C. to suburban Orlando. They quickly discover things are very different there. Orlando doesn’t even have a Chinatown—unless you count the Huang house. Eddie’s dad, Louis (Randall Park), has dragged the family to the ‘burbs to pursue his version of the American dream, opening Cattleman’s Ranch Steakhouse, a struggling western-themed restaurant. Louis thinks that the best way to get customers in the door is to hire a white host to greet them and make them feel comfortable. Eddie’s mom, Jessica (Constance Wu), has agreed to the move, but she finds Orlando a strange place—from the rollerblading stay-at-home moms, to the hospital-like grocery stores, to the fact that the humidity has ruined her hair.
Friday, January 30, 2015
In this article, Juan Castillo writes about the "rediscovery" of the ":first Chicano movie." "Please Don't Bury Me Alive!" The UCLA/Chicano Studies Research Center has described the gritty film as follows: "This independent film, a slice-of-barrio- life that was shot and exhibited in South Texas. It is a compelling film about the dilemmas facing a young Chicano in the spring of 1972 amid the Chicano Movement."
Thursday, January 29, 2015
Could your students pass the citizenship exam? I quiz my Immigration Law students every year. I find that naturalized USCs and government majors tend to ace it. Others struggle. (Admit it, did you realize Publius was one of the writers of the U.S. Constitution? Check out question 67.)
The NYT reports that several states are now requiring high school students to pass the citizenship exam before they can graduate. Passing is defined as 60%, which is the score immigrants need for naturalization.
Arizona was the first state to pass such a law, which it did earlier this month. And other states are following suit:
North Dakota’s House of Representatives has passed a comparable bill, and its Senate approved it Tuesday; legislators in Indiana, Massachusetts, Tennessee, Utah, Virginia and seven other states have recently introduced similar initiatives.
For those high school students looking for a little extra motivation (or for profs looking for a nice video for class), check out late-night personality Craig Ferguson on his citizenship test.
Monday, January 26, 2015
WRIT WRITER tells the story of a self-taught jailhouse lawyer named Fred Arispe Cruz who challenged the constitutionality of prison conditions in Texas in the 1960s, and launched the state’s prisoners’ rights movement. The film uses narration adapted from prison diaries, letters, legal pleadings, and courtroom testimony by writer Dagoberto Gilb (The Flowers, The Last Known Residence of Mickey Acuna, The Magic of Blood, and Gritos) and performed in voice-over by actor Jesse Borrego (24, The New World, Blood In, Blood Out). Archival film footage is drawn from documentary films about Texas prisons and several large collections of still photography complement the motion picture. With recollections from Cruz’s friends and contemporaries - including ex-convicts, prisoners, and former wardens – further personalizing it, the film’s narrative spine and visual history creates an honest, unsentimental portrayal of Cruz. The music in the film was written and performed by Gabe Rhodes (Austin-based musician and producer), with additional compositions by composer and musician Joel Guzman using the traditional accordion sounds of Central and South Texas. WRIT WRITER recalls the prisoners’ rights movement of the Civil Rights era here in the U.S., and the conditions that inspired prisoners like Fred Cruz to speak out.
Tuesday, January 20, 2015
Jane the Virgin is a CW comedy with an unusual premise: A young virgin is artificially inseminated by mistake. Does that sound like a telenovela? Well, it's adapted from one.
The show is getting a lot of current attention after its star, Gina Rodriguez, beat out some heavy hitters to win this year's Golden Globe for Best Actress in a Comedy.
Rolling Stone calls the show this season's sleeper hit. The magazine credits Rodriguez, noting: "She does much of the heavy lifting when it comes to making an absurd premise believable, and her everygirl charm is the glue that successfully holds together a mix of romance, melodrama, offbeat humor and fantasy."
The show's creator (as well as writer-producer) Jennie Snyder Urman told Rolling Stone that she has been affected by the support her show has received from Latina viewers:
I'm white, so I see that representation all the time. It has been a moving experience to hear young girls who watch the show explain how important it is for them to see themselves onscreen, and to see a young Latina who is defined by her ambition and dreams.
And now, according to The Hollywood Reporter, Jane will tackle immigration! Stay tuned.
Saturday, January 17, 2015
It is Martin Luther King Jr. Day weekend and a time for remembrance. Many Americans no doubt will see the inspiration film Selma. Many will spend Monday in a Martin Luther King, Jr. day of service to the community.
I have the honor working at a law school housed in a building named after Dr. King. Years ago, the Black Law Students Association commissioned and installed a statue of Dr. King in the lobby of the main entrance to the law school.
On the eve of the weekend, I sent this message out to the greater law school community:
Dear King Hall Community,
As we celebrate our federal holiday honoring the birthday of Dr. Martin Luther King, Jr., the King Hall community can take pride in remembering the deep ties between UC Davis School of Law, Dr. King, and his mission.
The connection extends to the School of Law’s earliest years. After Dr. King was assassinated in April 1968, a group of students, faculty, and staff petitioned UC Davis administrators to name the new law building after him as a way of honoring his memory and dedicating the School of Law to King’s ideals of social justice and public service. On April 12, 1969, the building was officially christened King Hall in a ceremony presided over by Hon. Earl Warren, Chief Justice of the United States, who said, "Even in the naming of the building, one can sense the high purpose to which its facilities are to be dedicated."
In 1981, Dr. King’s widow, Coretta Scott King, visited UC Davis to deliver the Law School’s commencement address, and his son Martin Luther King III visited King Hall in 1986. The following year, a sculpture of Dr. King by artist Lisa Reinertson was placed in the King Hall lobby, thanks to the efforts of students and alumni. The statute still graces the entrance to King Hall, alongside a touch-screen video exhibit devoted to Dr. King, and several famous quotations from the civil rights icon are prominently displayed on the walls upstairs.
Most importantly, UC Davis School of Law has always retained a dedication to the ideals of social justice, equality, and public service espoused by Dr. King. We can all take pride in the work of our faculty, which so often directly addresses the most compelling social issues of our time, the efforts of our students, who each year contribute thousands of hours to providing access to justice to those in need via our King Hall clinics, and our alumni, so many of whom work in public service or devote a portion of their practice to helping those in need. Because of all that you do, King Hall is making a difference in our community, our state, and our world.
I hope you will enjoy your Martin Luther King Day holiday, and I look forward to working together to help realize Dr. King’s dream in the years to come.
Kevin R. Johnson
Friday, January 16, 2015
In the new film Spare Parts (2015), four Mexican immigrant high school students form a robotics club. With no experience, 800 bucks, used car parts and a dream, this rag tag team goes up against the country's reigning robotics champion, MIT. George Lopez, Marisa Tomei, and Jamie Lee Curtis are in the film.
While the movie tells an inspirational story reminiscent of David versus Goliath, Joshua Davis in the New York Times tells the heartbreaking real life stories of the four immigrants and their efforts to succeed in college after winning the robotics championship. Davis, who was the author of the book Spare Parts, was recently interviewed on Capital Public Radio.
The real life protagonists of "Spare Parts. Photo courtesy of Capital Public Radio
UPDATE (Jan. 18): I saw the film over the Martin Luther KIng Jr. weekend. Despite being a bit melodramatic at times, it tells an engaging, thought-provoking, and inspiring story that leaves one wondering "How can we treat people like this?" Spare Parts made me think about many things besides the main story, such as what it would be like to be the parent of an undocumented child (including with a U.S. ciitizen child who may have many more opportunitiues), what it would be like to have your spouse deported (Esai Morales' resorts to alcohol in the movie), and the challenges of mixed immigration status relationships.
Tuesday, January 6, 2015
We have worked hard to keep our readers approsed of the immigration programs at the Annual Meeting of the Association of American Law Schools, including posts on the Hart Cellar Act session and the Anti-Poverty session. Below are links to the AALS Academic Symposium on Executive Action.
Separation of Powers (including Jill Family and Joseph Landau on immigration, moderated by Ming Shu Chen)
Federalism (including Raquel Aldana as moderator and Deep Gulasakarem on immigration)
DACA (including Alina Das as moderator, Shoba Wadhia, Peter Margulies, Geoffrey Heeren, Juliet Stumpf)
Tuesday, December 30, 2014
Bordertown is an upcoming American adult animated sitcom on Fox created by Family Guy writer Mark Hentemann and executive-produced by Family Guy creator Seth MacFarlane. It will premiere in spring 2015. Bordertown will follow two families living in a Southwest desert town on the United States–Mexico border. pisode first season will premiere in spring 2015.
Bordertown takes place in a fictitious town in Texas. The two main characters are Bud Buckwald and Ernesto Gonzalez. Bud is a Border Patrol officer living with his wife, Janice Buckwald, and their three children, Becky, Sanford, and Gert. Living next door to him is Ernesto Gonzalez, an ambitious immigrant and family man, who has been in the country less than 10 years and is happy to be with his family in the United States.[
Cartoonist and social commentator Lalo Alcaraz is one of the writers for Bordertown.
A Most Violent Year, which opens December 31, in a nutshell:
A thriller set in New York City during the winter of 1981, statistically one of the most violent years in the city's history, and centered on a the lives of an immigrant and his family trying to expand their business and capitalize on opportunities as the rampant violence, decay, and corruption of the day drag them in and threaten to destroy all they have built. The film is one immigrant’s determined climb up a morally crooked ladder, where simmering rivalries and unprovoked attacks threaten his business, family, and––above all––his unwavering belief in the righteousness of his own path.
Here is the official movie website.
Sunday, December 28, 2014
Although I do not see it on the list, Casablanca in my view is an all-time great immigration/refugee film.
Wednesday, December 24, 2014
Thursday, December 11, 2014
A documentary film "14: Dred Scott, Wong Kim Ark & Vanessa Lopez" is finished and available for Educational Use and Public Performance Licensing. The 67-minute documentary is an excellent resource for Constitutional Law courses.
The film explores the recurring question about who has the right to be a U.S. citizen. It examines the citizenship clause of the 14th Amendment through compelling personal stories and expertly-told history. The 14th Amendment provides that “All persons born or naturalized in the United States, and subject to the jurisdiction thereof, are citizens of the United States and of the State wherein they reside.”
The film tells the history of the 14th Amendment through the lives of three ordinary and extraordinary American families who changed history by their courageous challenges to the powerful status quo. Descendants of Dred and Harriet Scott and those of Wong Kim Ark tell the stories of how their ancestors fought all the way to the Supreme Court and changed American history. Rosario Lopez and her daughter Vanessa are both activists in the immigrant rights youth movement. Born in the United States and a citizen under the 14th Amendment, Vanessa wants to be “either an artist, a photographer, a lawyer, or a marine biologist” and President of the United States. It is the citizenship of millions of children like Vanessa Lopez, born in the United States to undocumented parents, that is at stake now.
In United States v. Wong Kim Ark, 169 U.S. 649 (1898), the U.S. Supreme Court held, generally speaking, that a person -- even the child of undocumented immigrants -- born in the United States is a U.S. citizen under the 14th Amendment. This decision established an important precedent in its interpretation of the Citizenship Clause of the 14th Amendment.
Wednesday, December 3, 2014
U.K. immigraiton barrister Colin Yeo has written a terrific review of the Paddington movie. Colin writes: "Paddington is a walking, talking, ursine pin-up for humanising our work." "Paddington’s story is that of the modern migrant. He is in many ways typical of my clients. This is more than a mere subtext to the film and it is, I hope, instructive to consider his tale from a legal perspective." And so he does.
This is one kid's movie I can't wait to see with my boys.
Sunday, November 23, 2014
In this op/ed, Professor Michael Olivas criticizes Republicans in the House of Represntatives for the strong negative public reactions to President Obama's latest immigration initiatives. In so doing, he kicks things off with a wonderful film analogy:
"In `Casablanca,' the greatest immigration movie ever made, the police round up the `usual suspects.' We see Rick meet Ilsa in one of the great `gin joints in all the world,' and Inspector Renault is `shocked … shocked!' at the gambling going on, as he is handed his winnings. Who knew this improbable 1942 wartime movie classic was to be reprised by today's elected officials?"
Saturday, November 22, 2014
Community Initiatives for Visiting Immigrants in Confinement (CIVIC) is a national nonprofit "working to end the isolation and abuse of men, women, and children in U.S. immigration detention through visitation, independent monitoring, storytelling, and advocacy."
The group recently posted the following video to youtube. It tells the story of Carolina, a 16-year-old girl in U.S. immigration detention.
Thursday, November 20, 2014
“The Stranger” is a 40-minute documentary film commissioned by the Evangelical Immigration Table and produced by Emmy-award winning producer Linda Midgett. The Stranger profiles three immigrant stories and includes interviews with local and national Christian leaders. By highlighting biblical teaching related to immigrants, sharing compelling stories of immigrants who are also evangelical Christians, and addressing some common economic and political misconceptions, The Stranger seeks to mobilize evangelical Christians to respond to immigrants and to immigration policy in ways that are consistent with biblical principles.