Sunday, September 15, 2013
Teaching and learning Marbury v. Madison (1803) can be challenging. As Steven Schwinn has highlighted, I've presented at AALS on innovative ways to use powerpoint using Marbury as an example. And I've also authored the CALI Lesson on Marbury v. Madison, which stresses understanding the case's historical importance and recognizing its use in contemporary constitutional litigation.
Marbury v. Madison is not only iconic, it's ironic. One way to have students "own" the irony is to have them create a single powerpoint slide that represents the meaning of the case's ironies. This is no easy task. In The Ironies of Marbury v. Madison and Marshall's Judicial Statesmanship, 37 J. Marshall L. Rev. 391(2004), Con Law Prof Samuel Olken explained the various levels of irony in the decision, but the central one on which we focus in class is Marshall's solidifying the (greater) power of judicial review to declare an act of Congress unconstitutional by refusing the power of jurisdiction granted by Congress to issue a writ of mandamus to Marbury.
But students are not limited to powerpoint slides; they can use any creative way to portray their point.
This year, two students, Daniel McCarey and Chloe Serinsky submitted a composition and posted it on You Tube where it will join the ranks of other takes on Marbury, from a serious talking head version to the explicit language rap version that we also discussed.
Their version is indebted to Alanis Morissette's song "Ironic" and arguably uses irony in a more correct (if more legal scholarly) sense.
They've posted their lyrics on the You Tube site. The description of judicial power as having "more juice" is nice, isn't it? But I do love this:
Statute in the left hand
Constitution in the right
Judicial review was the power
To strike that statute outta sight
A different group of five other students also took a musical tack. Collaborating, 1L students Alexandra De Leon, Alexandria Nedd, Carolina Garcia, Steffi Romano, and Vincce Chan, submitted a power point slide with the music from Drake's song
and their rewritten lyrics for a composition now entitled "From the Congressional Dream to the Judicial Machine." Here's a sample:
Congress just wants credit where it’s due
You say it’s written in the constitution…says who?
Extending the Supremacy Clause was Marshall's
Refusing Section thirteen to keep the appellate and not the original jurisdiction
Declining more power, but acquiring Judicial greatness
Marshall limited Legislative power by striking down the excess
Oh how ironic,
Refusing power made the Supreme Court iconic ...